Showing posts with label viacom. Show all posts
Showing posts with label viacom. Show all posts

Wednesday, December 21, 2011

Of pirates and safe harbours: UMG, Veoh get their ruling

 
Looking for a safe harbour
Yesterday in the United States the Ninth Circuit Court of Appeals handed down its decision in UMG v Veoh (which can be read in full here; briefly referred to in this blog here), a case addressing copyright liability for ISPs that host infringing works.

Veoh operates a publicly accessible website that enables users to share videos with other users. UMG is one of the world's largest recorded music and music publishing companies. In addition to producing and distributing recorded music, UMG produces music videos.

Although Veoh has implemented various procedures to prevent copyright infringement through its system, users of Veoh's service have in the past been able, without UMG's authorisation, to download videos containing songs for which UMG owns the copyright.

UMG responded by filing suit against Veoh for direct and secondary copyright infringement back in 2007. Two years later, the US District Court for the Central District of California granted summary judgment to Veoh after determining that it was protected by the DMCA "safe harbor" limiting service providers' liability for "infringement of copyright by reason of the storage at the direction of a user of material that resides on a system or network controlled or operated by or for the service provider." 17 U.S.C. §512(c).

UMG appealed the decision and made several arguments before the Ninth Circuit, including that the district court too broadly construed the scope of §512(c).

UMG never disputed that, when Veoh became aware of allegedly infringing material as a result of the RIAA's DMCA notices, it removed the files. It claimed, however, that Veoh had knowledge or awareness of other infringing videos that it did not remove. In particular, argued UMG, the district court erred by improperly construing the knowledge requirement to unduly restrict the circumstances in which a service provider has "actual knowledge" under subsection (1) and setting too stringent a standard for "red flag" awareness based on facts or circumstances from which infringing activity is apparent.

Judge Raymond Fisher, in an unanimous decision, referred to Congress' express intention that the DMCA "facilitate making available quickly and conveniently via the Internet ... movies, music, software and literary works". Being this the service Veoh provides, the Court did not find UMG's narrow interpretation of §512(c) be plausible. In fact, if merely hosting material which falls within a category of content capable of copyright protection, with the general knowledge that one's services could be used to share unauthorised copies of copyright-protected material, was sufficient to impute knowledge to service providers, the §512(c) safe harbor would be rendered a dead letter.

The onus to first identify infringing materials is on rights owners. Indeed, said the Court, copyright holders know precisely what materials they own, and are thus better able to efficiently identify infringing copies than service providers like Veoh, who cannot readily ascertain what material is protected by copyright and what is not. These considerations are reflected in Congress' decision that DMCA notification procedures place the burden of policing copyright infringement on copyright holders, as well as in the "exclusionary rule" which prohibits consideration of substantially deficient §512(c)(3)(A) notices for purposes of "determining whether a service provider has actual knowledge or is aware of facts and circumstances from which infringing activity is apparent."

In the light of these and other considerations, the Court affirmed the district court's determination on summary judgment that Veoh is entitled to §512(c) safe harbor protection.

As our readers will know, many of these issues are at the centre of another case currently pending before the Second Circuit, this being Viacom v YouTube. We'll see what happens there, as well as how the debate around the SOPA develops in parallel with case law.

More on UMG v Veoh on The Hollywood Reporter here.

Monday, July 4, 2011

Blindsided! Will U.S. Supreme Court Patent Ruling on Willful Blindness Determine Standard for Red-Flag Knowledge Under DMCA?

The 1709 Blog has previously reported on developments in the ongoing Viacom v. YouTube litigation in the United States, in which members of the content industry sued the online video-sharing service for copyright infringement based on user's uploading of copyrighted content. YouTube prevailed on summary judgment in the trial court, and Viacom appealed. The appeal is now fully briefed, and has been tentatively scheduled for oral argument on September 12, 2011.

One of the significant issues that the Second Circuit Court of Appeals is expected to address is what constitutes "red-flag" knowledge under Section 512(c) of the Digital Millennium Copyright Act ("DMCA"). The DMCA shields internet service providers ("ISPs") from liability for copyright infringement resulting from user-generated content if the ISP meets certain conditions. Among other requirements, the ISP must not have actual knowledge of infringing material on its service, or, absent actual knowledge, the ISP must not be "aware of facts or circumstances from which infringing activity is apparent." This latter category of knowledge is often referred to as "red-flag" knowledge.

The blind leading the blind

Prior case law provides little insight into what qualifies as "red-flag" knowledge. The legislative history of the DMCA suggests that a "copyright owner could show that the provider was aware of facts from which infringing activity was apparent if the copyright owner could prove that the location was clearly, at the time the directory provider viewed it, a 'pirate' site of the type described below, where sound recordings, software, movies or books were available for unauthorized downloading, public performance or public display. Absent such 'red flags' or actual knowledge, a directory provider would not be similarly aware merely because it saw one or more well known photographs of a celebrity at a site devoted to that person."

In an early case construing the "red-flag" knowledge requirement, however, the Ninth Circuit Court of Appeals held that no red-flag knowledge arose from the fact that the defendant's clients' websites had names like "illegal.net" or "stolencelebritypictures.com." In that case, Perfect 10 v. CCBill, the publisher of adult entertainment photographs sued the provider of webhosting services and the processor of credit card payments, alleging secondary liability for infringement occurring on client sites. In contrast to the above-quoted language from the legislative history, the court held, “When a website traffics in pictures that are titillating by nature, describing photographs as ‘illegal’ or ‘stolen’ may be an attempt to increase their salacious appeal . . . We do not place the burden of determining whether photographs are actually illegal on a service provider.”

Similarly, in UMG v. Veoh, a parallel case to YouTube playing out on the opposite coast of the United States, the trial court found that Veoh’s general awareness that infringement was occurring on its video-sharing site, without more, could not support a finding of “red-flag” knowledge. It reasoned that to hold otherwise would undermine the DMCA’s purpose of enabling the robust development of the Internet and e-commerce. The court granted summary judgment to Veoh in September, 2009, and the case is currently on appeal to the Ninth Circuit Court of Appeals. The Ninth Circuit heard oral argument on May 6, 2001; a decision is expected in Veoh before YouTube is decided.

The trial court in YouTube provided virtually no analysis of “red-flag” knowledge. Indeed, the entire opinion is strikingly devoid of content. The court effectively conflated actual and “red-flag” knowledge by holding that the “tenor” of the DMCA “is that the phrases ‘actual knowledge that the material or an activity’ is infringing, and ‘facts and circumstances’ indicating infringing activity, describe knowledge of specific and identifiable infringements of particular individual items. Mere knowledge of prevalence of such activity in general is not enough.”

In perhaps the only case where a court has found that an ISP had “red-flag” knowledge, the United States District Court for the Central District of California in Columbia v. Fung found that the operator of a “torrent” filesharing site where users swapped copyrighted television shows and motion pictures “turned a blind eye to ‘red flags’ of obvious infringement.” The operator himself engaged in unauthorized downloads of copyrighted material from the site. Because these downloads were done outside the United States, they could not be used to establish actual knowledge, but they showed that the operator was aware that infringing material was available on the site. The operator also designed the site to categorize copyrighted content into lists with titles such as “Top 20 Movies,” “Top 20 TV Shows,” “Box Office Movies.” These lists included copyrighted works. “Thus, unless Defendants somehow refused to look at their own webpages, they invariably would have been [sic] known that (1) infringing material was likely to be available and (2) most of Defendants’ users were searching for and downloading infringing material.” Overwhelming statistical evidence also showed the prevalence of copyrighted material on the site. Thus, “the only way Defendants could have avoided knowing about their users’ infringement is if they engaged in an ‘ostrich-like refusal to discover the extent to which their systems were being used to infringe copyright.’”

Fung notwithstanding, U.S. case law has not defined what “red-flag” knowledge is. We are thus left with a regime that recalls Supreme Court Justice Potter Stewart’s famous quote regarding obscenity: "I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description; and perhaps I could never succeed in intelligibly doing so. But I know it when I see it, and the motion picture involved in this case is not that.”

To blindly go where no DMCA case has gone before?

Against this backdrop, the parties in Viacom v. YouTube are preparing to argue the appeal. In a late-breaking development, Viacom’s attorneys have brought to the appellate court’s attention a recent Supreme Court decision in a patent case that Viacom argues should apply in the context of the DMCA. In Global-Tech Appliances v. SEB, decided May 31, 2011, the Supreme Court construed Patent Act Section 271(b), which provides that whoever actively induces infringement of a patent is liable as an infringer. The language of the section implies some degree of intent, raising the question whether the requisite intent is the intent to induce the act that results in infringement or the intent to induce infringement itself. Put another way, does the inducer need to be aware of the existence of a patent and intend to cause infringement?

The Supreme Court concluded that the inducer must intend to induce infringement and must know of the existence of the patent. The Supreme Court went on to hold, however, that this specific intent standard can be satisfied by a showing of willful blindness, defined as (1) a subjective belief that there is a high probability that a fact exists and (2) the defendant takes deliberate actions to avoid learning that fact. The Supreme Court stated that the doctrine of willful blindness enjoyed a “long history” and “wide acceptance in the Federal Judiciary,” and was “well established in criminal law.” Consequently, the Supreme Court saw “no reason why the doctrine should not apply in civil lawsuits for induced patent infringement.”

Though briefing is closed in YouTube, Viacom wasted no time bringing this decision to the Second Circuit’s attention, arguing that the case “refutes YouTube’s suggestion that the doctrine of willful blindness cannot apply to the knowledge requirements under the DMCA because the doctrine is ‘extra-statutory.’” Without explanation, Viacom also argued that the Global-Tech opinion “refutes YouTube’s argument that recognizing willful blindness is knowledge would impose on all service providers a broad affirmative obligation to ‘seek[] facts indicating infringing activity.’” Such an obligation would run afoul of DMCA subsection (m), which explicitly provides that an ISP need not monitor its service or affirmatively seek facts indicating infringing activity.

YouTube, not surprisingly, responded that Global-Tech has no applicability to a copyright case invoking the DMCA, which contains “express provisions governing knowledge of infringement, including a specific statutory alternative to actual knowledge.” YouTube also pointed out the inherent contradiction between the willful blindness standard and DMCA subsection (m)’s refusal to impose an obligation of monitoring on ISP’s.

Any attempt to predict how the Second Circuit may construe and apply the Supreme Court’s Global-Tech opinion is an exercise in reading tea leaves. The Second Circuit’s 2010 decision in Salinger v. Colting, however, gives some insight. In that case, the author J.D. Salinger sued to enjoin the publication of an unauthorized “sequel” to his iconic novel “Catcher in the Rye” entitled “60 Years Later: Coming Through the Rye.” The trial court granted Salinger’s motion for a preliminary injunction, using the traditional test it had employed in copyright cases for decades: a likelihood of success on the merits coupled with irreparable harm to the plaintiff, with irreparable harm being presumed if the plaintiff could make a prima facie case of copyright infringement. The Second Circuit reversed on the basis of the Supreme Court’s ruling in eBay v. MercExchange, a patent case involving a permanent injunction in which the Supreme Court rejected the practice of presuming irreparable harm. Despite the different substantive context and procedural posture of eBay, the Second Circuit reasoned that the Supreme Court had relied not only on patent law, but on traditional principles of equity, as well as copyright cases, in reaching its conclusion. Thus, it rejected the trial court’s presumption of irreparable harm and remanded the case for further proceedings consistent with eBay.

As it did in Salinger, the Second Circuit could just as easily conclude that since the Supreme Court relied on criminal law and general principles involving knowledge standards, it should apply the Global-Tech standard in YouTube. On the other hand, it could conclude, as YouTube urges, that willful blindness and DMCA subsection (m) are irreconcilable. The panel of judges that will hear YouTube has not yet been announced, so it is unknown whether the panel will include some or all of the same judges that decided Salinger. Of course, however constituted, the panel may well decide the case on other grounds, leaving the state of “red-flag” knowledge squarely in Justice Potter territory.

Tuesday, January 11, 2011

Viacom v YouTube


Follwing YouTube's summary judgment success in the Viacom litigation last year when Judge Stanton held that YouTube was able to benefit from the Safe Harbor provisions in the Digital Millennium Copyright Act because it did not have actual or constructive knowledge of every specific YouTube URL containing infringing material on the site, The IPKat now has a very good update and summary of Viacom's appeal in the US by Annsley Merelle Ward. Those of you who get the IPKat email updates will know this - and for those of you who don't subscribe to the IPKat - why not? Its marvellous and its free!

http://ipkitten.blogspot.com/2011/01/letter-from-amerikat-i-viacom-v-youtube.html

http://ipkitten.blogspot.com/2011/01/letter-from-amerikat-ii-viacom-v.html

Saturday, December 4, 2010

Viacom lodge Google appeal


Viacom will appealed in the $1 billion copyright infringement lawsuit it brought against Google's YouTube in 2007, which a federal judge dismissed earlier this year. U.S. District Judge Louis Stanton ruled in June that YouTube should be considered a service provider under the provisoins of the Digital Millennium Copyright Act (DMCA), and therefore not liable for copyright infringements committed by users of the service under the 'safe harbour' principle. Judge Stanton also noted YouTube's good faith efforts to remove copyrighted videos when presented with valid takedown notices from copyright holders (http://the1709blog.blogspot.com/2010/06/youtube-wins-viacom-copyright-suit.html) It is understood that Viacom's appeal, argues that Judge Stanton ignored the fact that YouTube knew it was hosting copyrighted material, but did nothing because that copyrighted content was attracting more viewers than its user-generated videos.

http://www.dmwmedia.com/news/2010/12/03/viacom-files-appeal-1-billion-youtube-copyright-lawsuit and see the IPKat at http://ipkitten.blogspot.com/2010/06/breaking-news-google-wins-1-billion.html

Thursday, March 25, 2010

Viacom v Google - the gloves are off


Things have been a bit quiet in the Google vs Viacom legal spat, the $1 billion lawsuit which accuses Google of profiting from thousands of unauthorized copyrighted clips owned by Viasom that once appeared on YouTube. But the case documents have now been unsealed and the gloves are definitely off, with Google accusing Viacom’s lawyers of editing emails and Viacom claiming that Google and YouTube had developed "serial amnesia" during depositions and also for failing "to preserve and produce" key documents.

It seems that in Viacom's summary judgment motion filed last week, the company quoted Steve Chen, one of YouTube's co-founders, in an e-mail saying "Concentrate all our efforts in building up our numbers as aggressively as we can through whatever tactics, however evil." Now you could see why Viacom, as a content owner, might not like this. But it now seems what the email actually said was this: "If I were running the show, I'd say, we concentrate all of our efforts in building up our numbers as aggressively as we can through whatever tactics, however evil, i.e., scraping MySpace." Now that might be a blow for MySpace owners News Corp, but it hardly has the same meaning as the edited version presented by Viacom. On the other hand ...... Viacom claims that it has not received emails that should have been disclosed saying that Google hasn’t acted in good faith by failing to turn over documents. Viacom's lawyers said that Google handed over only 19 records from June 2006, the month that Google began evaluating a YouTube acquisition. When Google boss Eric Schmidt was asked why a big acquisition like YouTube didn't generate more paperwork he answered that "(It) has been my practice for 30 years to not retain my e-mails unless asked specifically” adding "It was my practice to delete or otherwise cause the e-mails that I had read to go away as quickly as possible." YouTube boss and founder Chad Hurley told Viacom lawyers that he "lost" his e-mails for the period because of a computer crash. Viacom, however, retrieved many of Hurley's e-mails from the personal computer of Jawed Karim, another one of YouTube's three co-founders. When Hurley was presented with copies of those e-mails Viacom claims that the YouTube CEO "developed serial amnesia."


http://news.cnet.com/8301-31001_3-20001015-261.html


Picture at http://www.techshout.com/internet/2007/16/viacom-to-introduce-video-venture-challenges-youtube/