Showing posts with label public domain. Show all posts
Showing posts with label public domain. Show all posts

Monday, January 3, 2011

Happy New Year and Welcome to the Public Domain

pride and prejudice 1Holidays, festivals and parties abound as the year turns from one to another.  As we recover from all the celebrating, let us not forget one of copyright’s biggest days buried in the midst of all the punch, eggnog and streamers: Public Domain Day.

As is usual for this most festive of IP days, many posts around the blogosphere are listing works that have entered the public domain, works that would have entered the public domain under previous copyright laws and parties and events celebrating it all.

Picture: A page from this blogger’s favorite public domain work

To help you parse through all the delectable free delights, here’s a smattering of some of the goodies the blogosphere has to offer:

  • Publicdomainday.org  An entire website dedicated to the special day.  There’s a color-coded map of copyright terms around the world [oooooh, that’s going to be helpful at work], a list of upcoming public domain related events [the next one is in Torino on 22 Jan] and the Public Domain Manifesto, which you can sign and see your own name on if you have the patience to scroll to the bottom of the very long list of signers.
  • The Public Domain Review  Part of the Open Knowledge Foundation site, the Review features in depth looks at works in the public domain this year and the works’ creators.  So far, it appears there is only one review, of American author Nathanael West.  However, the year is young and the Review site is designed to accept contributions from many sources.
  • Publicdomainworks.net has a list of authors whose works are entering the public domain in jurisdictions where the copyright term is life of the author plus 70 years.  [The many red countries on the Public Domain Day map.]
  • Duke Law has a list of items that would have entered the public domain in the United States had the 1909 Copyright Act still been effect today. 

On a related note, the Duke website also has a sad blurb about Public Domain day in the US:

What is entering the public domain in the United States? Sadly, we will have nothing to celebrate this January 1st. Not a single published work is entering the public domain this year. Or next year. Or the year after. Or the year after that. In fact, in the United States, no publication will enter the public domain until 2019.

This last statement is not entirely true.  Americans do get something, just not in the traditional sense of expiration of the term of protection on a long existing work.  At least two exceptions jump out to me, maybe some readers know of the others.  The first is a specific work, the second applies to many works.

Late last year, in 2010, Mark Twain’s memoirs were published.  Twain had requested that the memoirs not be published until 100 years after his death.  That’s long enough that under current copyright laws everywhere, the work should be in the public domain.  However, there seems to be some dispute as to whether or not the memoirs are in the public domain or whether Twain’s estate has a copyright in them.  The published book, which contains more material than just Twain’s own memoirs bears a copyright notice, but that copyright notice also says that Twain passed away in 1910.  It seems even the publishers aren’t sure. The issue was explored more in-depth in The Sydney Morning Herald a few months ago.

Even without death and the passage of time, works can essentially enter the public domain if the author chooses.  Tools like CC0 allow an author to note that he is giving up all the rights the law will allow him to waive.  Those of us sitting and pouting in the US because nothing is entering the public domain via expiration of copyright term don’t have to fret too hard; there’s always the works that will be voluntarily placed there.

Thursday, October 21, 2010

Going for Five? Golan Tries Again

Several months ago, The 1709 Blog reported on the 10th Circuit decision of Golan v. Holder, also known as Golan IV.  Yesterday, the Stanford Center for Internet and Society announced that is has filed a petition for writ of certiorari with the United States Supreme Court on behalf of the Golan side.

The entire petition is available from CIS here (pdf).  For those that have been following the Golan saga, the petition contains little surprises.  As in the case’s previous incarnations, Golan’s group (the Petitioners) is arguing that the US Copyright Act provision reinstating copyright for foreign works that had fallen out of copyright due to non-compliance with previously required formalities violates the US Constitution.  The Constitution sections at issue are the First Amendment – guaranteeing freedom of speech and expression, and the Progress Clause – introducing intellectual property rights with a ‘limited time’ time-limit.

When Golan III was argued, the US government claimed that the provision of the Copyright Act at issue was necessary in order for the US to comply with its duties under the Berne Convention.  The 10th Circuit decided Berne was not an issue because it found there to be this other interest the government had to protect, the interest of US authors abroad.  The petition argues that the Golan III 10th Circuit panel decision side-stepped the real issues (as mentioned above) and rested its decision on this made-up theory of protecting US author’s rights abroad.  It states that in this way and others the Golan III decision goes against prior Supreme Court decisions.  Interestingly, in one of the places where this argument is made, most of the cases cited are actually patent cases and not copyright cases.  That difference may be something the US government side can latch onto when trying to distinguish the cases and show that the rules do not apply to here.

For those who are not familiar with US procedures.  This filing does not mean that the Supreme Court will hear the case.  It only means that the Golan group thinks the Supreme Court should hear the case.  The Court will decide on its own whether there will be a Golan V.

Photo Credit: five CC-BY woodley wonderworks available at http://www.flickr.com/photos/wwworks/3196112134/

Tuesday, June 22, 2010

The Emperor’s New Copyright

Emperor_Clothes_01 For a court decision to cause a hullabaloo and set off doomsday reports of the end of life as we know it isn’t all that unusual.  But for a court decision that leaves the existing law in place to set off that much ruckus, that is unusual.  Yesterday, the 10th Circuit Court of Appeals in the US handed down just one of these cases.

The case is called Golan and it deals with the effect of the TRIPs agreement on foreign works under US Copyright law.  (full pdf decision.) 

The decision, which leaves in tact the restoration of copyright to certain foreign works has been hailed as “Terrible News” and accused of destroying the public domain.  In reality, neither of these lamentations are correct.

What Happened

After the United States signed the TRIPs agreement, it amended its copyright law to be compliant with both the new TRIPs agreement and the old Berne Convention. (“Compliant” as defined by the US.)  The amended copyright act provided new copyright protection to two types of old foreign works: those that had lost their copyright due to non-compliance with a formality (such as failure to renew after the initial term under the US’s 1909 Copyright Act) and those who had not previously received copyright protection in the US because their country had not then been a member of any of the international copyright treaties to which the US was a party. 

This new protection for old works was called “restored copyright,” and authors who wanted their copyrights restored had to provide notice to known users of the works or the US Copyright Office.

That was the law before Golan, and it is still the law after Golan.

Golan’s Challenge

The plaintiffs in Golan were users of those restored-copyright works who had used the works relying on their status as public domain works.  And they had quite a strong group of copyright experts on their team, including the Stanford Center for Internet and Society and Harvard (of Stanford at the time this case began) Professor Lawrence Lessig.  But the arguments in this case were not about copyright law; they were about constitutional law.  And the defendants, the United States government and the United States Copyright Office, they had the Department of Justice on their team.

The Constitutional Claim

This is the second time Golan has been to the 10th Circuit.  The first time it heard the case, the 10th Circuit affirmed the lower court’s holding with respect to two of the plaintiff’s claims, dismissing claims attempting to argue the violation of the “for a limited time” part of the copyright clause in the Constitution. [full pdf decision.]  But the 10th Circuit also remanded the case to the district court to address whether the law violated the plaintiff’s First Amendment rights.

The district court held that the plaintiffs’ First Amendment freedom of expression rights were violated.  The 10th Circuit disagreed.  And here’s where we need to get a bit into United States Constitutional Law.

First Amendment Law in the US
Details for non-Americans and non-attorneys

The freedom of speech granted by the First Amendment to the US Constitution includes the freedom of expression.  The government is allowed to impinge on this freedom within certain parameters and what they are allowed to do depends on the type of speech they are regulating, how they are regulating it and their interest in regulating it.

There are three options for the court in terms of how the court compares these different pieces to decide if the government’s actions are ok or in violation of the Constitution.  These three options are commonly called levels of scrutiny.  Both parties, the district court and the circuit court agreed that the proper level of scrutiny in this case was intermediate scrutiny.  Agreement all around, always nice.

In order for a law to be upheld as constitutional under this medium level of inspection, intermediate scrutiny, the government must show that it has an important governmental interest in regulating the speech and that the burden placed on speech is not substantially more than necessary.

The Government’s Important Reason

The US Government said it had three important reasons.  The court looked at one, said it was important enough and ignored the other two. 

We might expect that the important interest would be that of the government to uphold US obligations under international treaties.  But then again, we might not be surprised to learn that was one of the reasons the court ignored.

The reason the court found important enough to justify the limit on speech caused by restoring copyright to foreign works was the protection of US works abroad.  Congress passed the amendment to the Copyright Act in part because it believed the world would operate on a you-scratch-my-back-I’ll-scratch-yours basis.  Other countries were refusing to restore copyright to US works in their public domains, - the decision mentions specifically Russia – and the US was told its citizens would get copyright in their works when those countries’ citizens got US copyright in theirs.

The court acknowledged the plaintiffs’ rights and the restrictions restored copyright placed on their speech rights, but it summed up the governments’ interest quite eloquently:

“Although plaintiffs have First Amendment interests, so too do American authors.” (p. 14, internal citation omitted.)

The Not-So-Burdensome Burden

The court found that the restored copyright did not burden the plaintiffs’ speech too much because of a special provision put in the law specifically for people in the plaintiffs’ position. 

In addition to restoring copyright protection to the foreign works mentioned above, the law also created some protections for those people who had used the work relying on its public domain status.  The law gave users a twelve month grace period in which to finish selling or using works with restored copyrights and then provided a mechanism for determining licensing fees if the user wanted to continue using the restored work after the grace period ended.

[British readers may be interested in pages 30 – 33 of the decision where the court spends some time comparing the US system of dealing with the burden on these users to the systems enacted in the UK.]

Separation of Powers

Although this part isn’t really necessary for this blog post and is covered well in-depth by the court decision for those who are really interested, I feel it is necessary to address it at least a bit here because of the mis-information out there in some other posts about this case.

The American government has three branches, the judicial, legislative and executive.  It is structured this way to effectuate a separation of powers, where each branch has its own duties.  Legislative decision making, making laws, belongs to the legislative branch – the US Congress.  Interpreting laws belongs to the judicial branch – the courts.

How to structure laws to effectively enact international treaties is the duty of the legislative branch.  It is Congress that holds hearings with all sorts of interested parties, that listens to the RIAA and the MPAA and those who disagree with the RIAA and the MPAA.  It is Congress that decides which interests are most important for the country to protect and decides how those interests should be protected.  And yes, Congress must stay within the confines of the Constitution when making these laws.  Hence the development of the levels of scrutiny as mentioned above.

When the Golan court discusses how and why Congress made its decision to restore copyright, the court is not looking at whether or not Congress made a good decision.  The court is looking at whether Congress’s decision was reasonable in light of the information it had.  When the Golan decision cites some of the testimony from Congress’s hearings, the court is not “actually rel[ying] on testimony about "losses" from an RIAA official.”  The court is simply giving examples of information upon which Congress relied.

The American people might not agree with Congress’s decision, the judges might not agree with Congress’s decision, but that does not mean the decision is unconstitutional.  It is the people who are supposed to have the power to change the law, not the courts.  The people elect their Congressional representatives to represent their positions.  Whether or not that happens is a whole ‘nother issue not related to this case and addressed very well by Lessig at his site Fix Congress First.

Image credit: “The Emperor’s New Clothes” by Vihelm Pendersen, public domain